Kubrick's filmography: 2001: A Space Odyssey, A Clockwork Orange, The Shining, Dr. Strangelove, Full Metal Jacket, Eyes Wide Shut, Barry Lyndon. Visual style, music choices, and famously meticulous production.
In 2001: A Space Odyssey, the famous match cut from a tossed bone transitions to what object? — Options: A spinning space station, An orbital nuclear weapons satellite, The Discovery One spacecraft, The monolith floating in space
For the candlelit interior scenes in Barry Lyndon, Kubrick used custom-modified still-photography lenses originally developed for which organization? — Options: NASA, for the Apollo lunar program, The BBC, for low-light documentary work, The Royal Air Force, for night reconnaissance, Bell Labs, for early television cameras
Which real-world hotel's exterior was filmed to represent the Overlook in The Shining? — Options: The Stanley Hotel in Estes Park, Colorado, The Ahwahnee Hotel in Yosemite, Timberline Lodge on Mount Hood, Oregon, The Banff Springs Hotel in Alberta
The War Room set in Dr. Strangelove, with its enormous circular table and ring of overhead lights, was designed by which production designer? — Options: Ken Adam, John Box, Saul Bass, Anton Furst
For the Parris Island boot-camp sequences in Full Metal Jacket, where was the principal photography actually conducted? — Options: A disused gasworks in Beckton, East London, The Spanish military base at Almería, Bovington Camp in Dorset, A decommissioned RAF airfield in Norfolk
During the staircase confrontation in The Shining where Wendy fends off Jack with a baseball bat, Kubrick's pursuit of the shot reportedly set a record for the most takes of a single scene with dialogue — roughly how many? — Options: 27, 63, 127, 212
How many takes did Kubrick reportedly demand of Shelley Duvall for the famous baseball-bat staircase scene in 'The Shining', a number that entered the Guinness Book of Records?